This was my first self-conscious garage track, as in I set out to make a garage track and made a garage track. Everything before that were shots in the dark that'd occasionally land into some category.
Second attempt. I remember being really impressed by this back when I first made it but listening to it now it's really generic.
Loopy but enjoyable.
Another vocal sampling attempt. The result is stupid.
Earlier version of the last one. I think I enjoy this one more. I don't know why I was disappointed by this initially and why I revised it into the other version.
One day I woke up to the ingenious idea of sampling Driftwood's Everything Goes, which in turn birthed this. I remember being greatly pleased by the result.
Reese bass attempt. I enjoy listening to tracks with reese bass but don't enjoy using it much myself.This was my first attempt at making a track that was more than an unfinished loop, I think. I kept losing touch of the original idea so I scrapped it back into a loopy draft of an idea.
All of my tracks before this period relied on amplifying and equalizing silence which resulted in material with bass-y and melodic content, as per pretensions inspired by Schaeffer and Herbert. At one point I made a compromise with myself and started adding breaks to those amplified silence tracks. Eventually I settled down on regular sampling.Those early tracks were rough so I won't share them much. This track in particular is reminiscent of those early tracks of mine, though.
Revision of the above track, with a cheesy melody and samples from a german post-punk group the name of which I can't remember at the moment.
This is stupid, though I enjoy how the piano stabs metamorphize the track into something else.
A continuation of sorts to the idea in 239 since I liked it that much.
Sampling video games is so fuckin' cool and nerdy so I took Setsuna from Psychic Force's shriek and used it for this track.
Revision of the above because I hated it.
Slowed down revision of the above because I was still pissed by the result.
Beginning of an unhealthy obsession with retarded basslines. I didn't give the Mirai Ninja sample any justice.
Revision of the above because I really hated it and because I deal in evens.
Slowed down version of the above. Think I like this one the most.
This is stupid. Stuff from here on is too stupid at best and too generic at worst to even bother sharing.
This one is neat though. Samples Egisto Macchi. Still doesn't warrant more than a short loop, though.
Return to amplified silence set to breaks.
Amplified silence without breaks. The percussion is also extracted from equalized amplified silence.
Another amplified silence track making use of the experience gained from attempting garage tracks.
I uploaded this one to soundcloud back when I considered becoming an artist with an audience. The laughing is sampled from the arcade game Kyros.
Slowed version of the above.
Uninspired.
Inspired.
The vocal stabs are sampled from Odyssey pt 2 AG Cook remix because I was really pissed seeing it recommended every fucking where.
Oh fuck me. I still love this.The main melody is arranged by me instead of being merely cut up or spliced or otherwise improvised like in most other tracks. The backbeat is sampled from 15 twister by Aphex.
I enjoy this more now that back when I first made it.
Very minimal techno.
Another dose of very minimal techno.
not-so-minimal sine techno
Another dose of not-so-minimal sine techno because I deal in evens,
I loved the clinical airy ambiance on this when I made it. Listening to it now the distorted bass kicks don't do it any justice.
This one is generic but it has the honor of being the last of its kind since everything after is pretentious earrape.I will take a break with this until tomorrow when I will resume looking through my old music attempts. If that's okay with people here, of course.
This was an original ringtone attempt being given a second life through the addition of a breakbeat.
Amplified silence track! With filters and reverb. Around this period I would make a bunch of similar tracks but with a bass drum taken from a Roland sample pack. This one is pure silence though. Even the bass beat is extracted from silence.
Dubby ampsilence track. The bassline is taken from processed silence while the kick drum is 808BD_V.
This time the snare drum is taken from an external sample pack. The snare drum is 808SD_3D_X.
Bass drum is 808BD_T7D11_X.
Snare drum is 808SD_3C_X.I never expanded upon any these loops because 1) they were for personal listening/playing around with; 2) my serious attempts at making something resembling composition produced embarrassing results. This blogshitting thread is essentially me salvaging whatever sounds listenable since not all of them have been complete wastes.
Ampsilence track. Bass drum goes by 808BD_T3D11_X2.I much rather listen than make music. I didn't discover the group Information (Knudsen & Svalastog) until 2 years after I'd made these tracks.
Bass drum is 808BD_V. This doesn't tell anything, but it's fun to share.
An attempt at making something that sounds like the amplified silence tracks through regular samples.
Composition attempts from here on. I'm skipping on them though I might come back to them eventually.
Seeing as this is your 2015~2018 creative output, do you still do stuff now?
>>48No, not as much.
I made a minialbum or something.https://a.pomf.cat/hzmmux.zip